王晓兰, 李晖. 论《宠儿》的复调性[J]. 南昌航空大学学报(社会科学版), 2007, 9(4): 43-47.
引用本文: 王晓兰, 李晖. 论《宠儿》的复调性[J]. 南昌航空大学学报(社会科学版), 2007, 9(4): 43-47.
WANG Xiao-lan, LI Hui. Polyphonic Features in Beloved[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2007, 9(4): 43-47.
Citation: WANG Xiao-lan, LI Hui. Polyphonic Features in Beloved[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2007, 9(4): 43-47.

论《宠儿》的复调性

Polyphonic Features in Beloved

  • 摘要: 托妮·莫里森一直在创作中自觉地探索各种叙述手法和策略,其代表作《宠儿》不仅代表了她傲视同侪的思想水准,还代表了她高超的叙事技巧,使该小说具备了复调小说的审美色调.本文从主体性、对话性和不确定性三方面探讨了《宠儿》的复调特征及其艺术效果.

     

    Abstract: Toni Morrison's novels being examined as a whole,the readers may find that she has been exploring a variety of narrating strategies.Her masterpiece Beloved is a great polyphonic novel.This paper examines the novel's polyphonic features and artistic effects in terms of subjectivity,dialogism and indeterminacy.

     

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