田源, 袁梦. 飞龙·脊背·围墙——探析电影《全民目击》中的文化意象[J]. 南昌航空大学学报(社会科学版), 2013, 15(4): 91-96.
引用本文: 田源, 袁梦. 飞龙·脊背·围墙——探析电影《全民目击》中的文化意象[J]. 南昌航空大学学报(社会科学版), 2013, 15(4): 91-96.
TIAN Yuan, YUAN Meng. Dragon, Back and Wall——A Brief Analysis on the Culture Image from Silent Witness[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2013, 15(4): 91-96.
Citation: TIAN Yuan, YUAN Meng. Dragon, Back and Wall——A Brief Analysis on the Culture Image from Silent Witness[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2013, 15(4): 91-96.

飞龙·脊背·围墙——探析电影《全民目击》中的文化意象

Dragon, Back and Wall——A Brief Analysis on the Culture Image from Silent Witness

  • 摘要: 文化意蕴和深度思想是支撑《全民目击》的核心元素,也是该片能感动观众、获得好评的重要原因。影片的整体意象"龙背墙"可以拆解为"飞龙""脊背"和"围墙"三个次一级的意象,分别象征影片中童涛、周莉、林泰的人物性格。在中西文化视阈下剖析这些意象的特征,阐述神话思想在本片中发挥的情感渗透、联想记忆、身份认同等的重要作用,进而反思传统文化意象与现代精神的冲突与融合,探索文艺作品将传统文化融入现代精神的途径。

     

    Abstract: Cultural implications and deep thoughts are the core elements of the film, Silent Witness, which are also the main causes of moving the audience and gaining its good reputation. The whole image of the film "dragon back wall" can be divided into secondary image, "dragon", "back" and "wall", which respectively symbolized TONG Tao, ZHOU Li and LIN Tai in this film. Based on the Chinese and western cultures, this paper will analyze those images, moreover, it will state the important effect of mythical ideology on emotional penetration, associative memory and identity recognition. Then this paper will reflect on conflicts and integrations of traditional culture and modern spirit, besides it will explore the approaches which literary works can make traditional culture blend into modern spirit.

     

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