胡静, 靳贺. 探析《在延安文艺座谈会上的讲话》前后革命文艺大众化的发展[J]. 南昌航空大学学报(社会科学版), 2025, 27(3): 39-45, 91. DOI: 10.3969/j.issn.2096-8574.2025.03.005
引用本文: 胡静, 靳贺. 探析《在延安文艺座谈会上的讲话》前后革命文艺大众化的发展[J]. 南昌航空大学学报(社会科学版), 2025, 27(3): 39-45, 91. DOI: 10.3969/j.issn.2096-8574.2025.03.005
Jing HU, He JIN. Development of the Popularization of Revolutionary Literature and Art Before and After Speech at the Yan’an Forum on Literature and Art[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2025, 27(3): 39-45, 91. DOI: 10.3969/j.issn.2096-8574.2025.03.005
Citation: Jing HU, He JIN. Development of the Popularization of Revolutionary Literature and Art Before and After Speech at the Yan’an Forum on Literature and Art[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2025, 27(3): 39-45, 91. DOI: 10.3969/j.issn.2096-8574.2025.03.005

探析《在延安文艺座谈会上的讲话》前后革命文艺大众化的发展

Development of the Popularization of Revolutionary Literature and Art Before and After Speech at the Yan’an Forum on Literature and Art

  • 摘要: 革命时期的文艺既与抗战具体任务相结合,又发挥着政治宣传作用,其大众化形态为《在延安文艺座谈会上的讲话》的发表提供了实践场域。革命文艺大众化与《在延安文艺座谈会上的讲话》的产生有着丰富的互动关系,两者交织的前提在于马克思主义中国化命题的引导。基于此,《在延安文艺座谈会上的讲话》的形成,在思想上整肃了文艺生态,促动着革命文艺与工农大众结合、转向于服务工农兵,革命文艺大众化也趋于服从政治效益与社会效益并重的现实。既彰显了中国共产党对“人民文艺”思想的艰辛探索,又呈现出了马克思主义文艺理论在革命时期的中国化新样态。

     

    Abstract: Literature and art during the revolutionary period was not only combined with the specific tasks of the Anti-Japanese War, but also played a role in political propaganda. Its popular style provided a practical field for the generation of Speech at the Yan’an Forum on Literature and Art. There is a rich interactive relationship between the popularization of revolutionary literature and art and the emergence of Speech at the Yan’an Forum on Literature and Art. The prerequisite for the interweaving of the two lies in the guidance of the proposition of the sinification of Marxism. Depend on it, the publication of Speech at the Yan’an Forum on Literature and Art ideologically purified the literary and artistic ecology, promoted the integration of revolutionary literature and art with the masses of workers, peasants and soldiers, and turned to serving workers, peasants and soldiers. Furthermore, the popularization of revolutionary literature and art also tended to obey the reality of emphasizing both political and social benefits. It not only demonstrates the arduous exploration of the Communist Party of China’s thought of “people’s literature and art”, but also presents the new China style of Marxist literary and artistic theory during the revolutionary period.

     

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