吕婧, 曾悦. 在自然中重构家园:施蒂夫特《雪山水晶》中诗意世界的塑造及其生态审美意蕴[J]. 南昌航空大学学报(社会科学版), 2024, 26(3): 117-124. DOI: 10.3969/j.issn.2096-8574.2024.03.014
引用本文: 吕婧, 曾悦. 在自然中重构家园:施蒂夫特《雪山水晶》中诗意世界的塑造及其生态审美意蕴[J]. 南昌航空大学学报(社会科学版), 2024, 26(3): 117-124. DOI: 10.3969/j.issn.2096-8574.2024.03.014
Jing LV, Yue ZENG. Reconstruction of Homeland in Nature: Shaping of a Poetic World and Its Ecological Aesthetics in Stifter’s Bergkristall[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2024, 26(3): 117-124. DOI: 10.3969/j.issn.2096-8574.2024.03.014
Citation: Jing LV, Yue ZENG. Reconstruction of Homeland in Nature: Shaping of a Poetic World and Its Ecological Aesthetics in Stifter’s Bergkristall[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2024, 26(3): 117-124. DOI: 10.3969/j.issn.2096-8574.2024.03.014

在自然中重构家园:施蒂夫特《雪山水晶》中诗意世界的塑造及其生态审美意蕴

Reconstruction of Homeland in Nature: Shaping of a Poetic World and Its Ecological Aesthetics in Stifter’s Bergkristall

  • 摘要: “风景小说家”阿达尔贝特·施蒂夫特在《雪山水晶》中构建了一处至善至美的诗意生态空间。生态美学是近现代以人与自然和谐相融为核心的审美观。从生态美学的视角分析施蒂夫特《雪山水晶》中自然生态空间、精神生态空间和生态审美关系,可以找出生态美学与作品写作方法的联系,探究生态审美观与传统人类中心主义审美的差异性,以期通过文学解读来实现人对自然的再度思考。

     

    Abstract: “Landscape novelist” Adalbert Stifter constructed a perfect and beautiful poetic ecological space in Bergkristall. Ecological aesthetics is a modern aesthetic concept centered on the harmonious integration of human and nature. From the perspective of ecological aesthetics, analyzing the natural ecological space, spiritual ecological space, and ecological aesthetic relationship in Stifter’s Bergkristall can identify the connection between ecological aesthetics and writing methods, explore the differences between ecological aesthetics and traditional anthropocentric aesthetics, and achieve a rethinking of nature through literary interpretation.

     

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