谢华, 张沥文. 存在主义视阈下西西弗式荒谬英雄的建构以《拍卖第四十九批》为例[J]. 南昌航空大学学报(社会科学版), 2023, 25(4): 77-83. DOI: 10.3969/j.issn.2096-8574.2023.04.011
引用本文: 谢华, 张沥文. 存在主义视阈下西西弗式荒谬英雄的建构以《拍卖第四十九批》为例[J]. 南昌航空大学学报(社会科学版), 2023, 25(4): 77-83. DOI: 10.3969/j.issn.2096-8574.2023.04.011
Hua XIE, Li-wen ZHANG. Construction of Sisyphean Absurd Hero From the Perspective of ExistentialismTaking The Crying of Lot 49 as An Example[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2023, 25(4): 77-83. DOI: 10.3969/j.issn.2096-8574.2023.04.011
Citation: Hua XIE, Li-wen ZHANG. Construction of Sisyphean Absurd Hero From the Perspective of ExistentialismTaking The Crying of Lot 49 as An Example[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2023, 25(4): 77-83. DOI: 10.3969/j.issn.2096-8574.2023.04.011

存在主义视阈下西西弗式荒谬英雄的建构以《拍卖第四十九批》为例

Construction of Sisyphean Absurd Hero From the Perspective of ExistentialismTaking The Crying of Lot 49 as An Example

  • 摘要: 《拍卖第四十九批》是托马斯 · 品钦对熵化的荒谬世界中人们生存状态的深刻洞悉与思考之作。作品通过巧妙的城市布局和熵概念的引入构建了后现代荒谬的存在空间。小说主人公俄狄帕·马斯面对混乱的荒诞世界,企图在虚无中建立秩序,然而她的一切努力都将其引向毫无希望的未来。但俄狄帕拒绝向命运妥协,就算是面对注定悲剧的人生,也要穷尽一切可能,这一点恰与加缪的存在主义哲学相契合。加缪笔下的西西弗在无效无望的劳动中对抗虚无,而品钦塑造的俄狄帕敢于正视荒谬,在绝望中寻找希望,这也使她成为了后现代熵化的虚无世界中对抗混乱、穷尽自我的西西弗式荒谬英雄。

     

    Abstract: The Crying of Lot 49 is a work by Thomas Pynchon which reflects his profound insight into human existence in an entropic world of absurdity. Pynchon builds his postmodern absurd world through an ingenious urban layout and a scientific concept of entropy. The protagonist Oedipa Maas seeks to bring order out of chaos in absurdity, but all her endeavors lead her nowhere but to a future that is doomed to be hopeless. She refuses to succumb to fate, and even in the face of a life destined for tragedy, she endeavors to exhaust all possibilities, which is consistent with Camus’ philosophy of existentialism. While Camus’ Sisyphus fights against absurdity in futile and hopeless labor, Pynchon’s Oedipa dares to confront absurdity and seek hope in despair, which makes her a Sisyphean absurd hero who resists chaos and exhausts herself in the postmodern entropic world of absurdity.

     

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