陈聪景. 浅析“题款”在中国画教学中的重要性[J]. 南昌航空大学学报(社会科学版), 2020, 22(4): 117-120. DOI: 10.3969/j.issn.2096-8574.2020.04.018
引用本文: 陈聪景. 浅析“题款”在中国画教学中的重要性[J]. 南昌航空大学学报(社会科学版), 2020, 22(4): 117-120. DOI: 10.3969/j.issn.2096-8574.2020.04.018
Cong-jing CHEN. Importance of “Signing” in the Teaching of Chinese Painting[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2020, 22(4): 117-120. DOI: 10.3969/j.issn.2096-8574.2020.04.018
Citation: Cong-jing CHEN. Importance of “Signing” in the Teaching of Chinese Painting[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2020, 22(4): 117-120. DOI: 10.3969/j.issn.2096-8574.2020.04.018

浅析“题款”在中国画教学中的重要性

Importance of “Signing” in the Teaching of Chinese Painting

  • 摘要: “题款”是中国画的重要表现语言之一,它突破了绘画本身的局限,具有点题的功能,还能够传达作者内心世界的情感、烘托画面的情境、完善画面的结构,进而启迪读者的想象空间,增强艺术的广度与深度,具有重要意义。在教学过程中,由于对“题款”的忽视及学生自身文学、书法、诗词等方面的认识不到位,因此出现诸多同学在面对“题款”这个环节较为吃力的现象,影响学习进度和教学质量。结合当下中国画创作实践和教学环节深入剖析,中国画课程关于“题款”的教学尤显重要。

     

    Abstract: “Title style” is one of the important expression languages of Chinese painting. It breaks through the limitations of painting itself, has the function of title, and can convey the emotion of the author’s inner world, set off the situation of the picture, improve the structure of the picture, and then inspire the imagination space of the readers, and strengthen the breadth and depth of art, which is of great significance. In the process of teaching, due to the neglect of “title style” and the inadequate understanding of students’ own literature, calligraphy, poetry and other aspects, many students are struggling in the face of signing in the Chinese painting, which affects the progress of learning and teaching quality. Based on the author’s many years of teaching experience and in-depth thinking about the current teaching links of Chinese painting creation and practice, this paper analyzes the importance of title style in Chinese painting teaching.

     

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