刘珺. 赣剧《临川四梦》的创编及其美学思考[J]. 南昌航空大学学报(社会科学版), 2017, 19(4): 116-120. DOI: 10.3969/j.issn.1009-1912.2017.04.018
引用本文: 刘珺. 赣剧《临川四梦》的创编及其美学思考[J]. 南昌航空大学学报(社会科学版), 2017, 19(4): 116-120. DOI: 10.3969/j.issn.1009-1912.2017.04.018
LIU Jun. The Creation and Aesthetic Thinking of Jiangxi Opera Four Dreams of Linchuan[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2017, 19(4): 116-120. DOI: 10.3969/j.issn.1009-1912.2017.04.018
Citation: LIU Jun. The Creation and Aesthetic Thinking of Jiangxi Opera Four Dreams of Linchuan[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2017, 19(4): 116-120. DOI: 10.3969/j.issn.1009-1912.2017.04.018

赣剧《临川四梦》的创编及其美学思考

The Creation and Aesthetic Thinking of Jiangxi Opera Four Dreams of Linchuan

  • 摘要: 明代万历年间汤显祖的戏剧作品《临川四梦》距今已有450余年,已成为世人传唱的经典剧目,被多种剧种改编。而赣剧版《临川四梦》则是对该作品的重新梳理、挖掘,赋予了其新的生命力。不仅如此,赣剧版《临川四梦》还在作品的编排上整合了赣文化,积极探寻弋阳腔的踪迹,在艺术表现上做出了大胆的改编和革新,使其更易被广大民众所接受,具有丰富的时代意义。这不仅是对汤显祖戏剧精神的很好诠释,也为以后的戏剧作品改编提供了良好的范本。

     

    Abstract: Four Dreams of Linchuan is one of the classical opera written by Tang Xianzu in the Wanli era of the Ming dynasty, which is more than 450 years ago, and it becomes popular in nowadays with lots of adaptions. The Four Dreams of Linchuan revised in Jiangxi opera style vitalizes this opera by refreshing and excavating the original version. Not only that, this Jiangxi opera style version becomes more popular and significant by exploring the Yiyang tune elements, integrating the Jiangxi traditional cultures and making innovations in this work. This adaption is not only a better expression of the opera spirit of Tang Xianzu but also plays a very important role in the inheritance and the development of this opera.

     

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