尤丽娜. 《微暗的火》中的空间越界[J]. 南昌航空大学学报(社会科学版), 2016, 18(2): 56-62. DOI: 10.3969/j.issn.1009-1912.2016.02.010
引用本文: 尤丽娜. 《微暗的火》中的空间越界[J]. 南昌航空大学学报(社会科学版), 2016, 18(2): 56-62. DOI: 10.3969/j.issn.1009-1912.2016.02.010
YOU Li-na. The Space Transgression in Pale Fire[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2016, 18(2): 56-62. DOI: 10.3969/j.issn.1009-1912.2016.02.010
Citation: YOU Li-na. The Space Transgression in Pale Fire[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2016, 18(2): 56-62. DOI: 10.3969/j.issn.1009-1912.2016.02.010

《微暗的火》中的空间越界

The Space Transgression in Pale Fire

  • 摘要: 空间是构建文学作品中场景的主要方式,越界行为是多维空间的边界区划和对空间的穿越。作为飞散作家,纳博科夫特殊的人生境遇导致他对空间越界思想有独树一帜的见解。纳博科夫的空间越界思想在其代表作《微暗的火》中有着显著的体现,主要体现在物理空间、空间化的时间、心理空间、艺术空间以及彼岸世界的越界等方面。通过对《微暗的火》中的空间越界现象的分析,不仅折射出纳博科夫哲学、文学、政治、美学的思想内涵,而且揭示出纳博科夫的小说创作以《微暗的火》为分水岭由时间向空间转向的趋势。

     

    Abstract: Space is the basic way of constructing literary scene, transgression is the action of crossing the boundaries of multidimensional space. As a diaspora writer, Nabokov's special life experiences let him embrace the distinguished view upon the transgression. His masterpiece Pale Fire highlights the multidimensional space phenomenon. Nabokov's thought of space in the pale fire, mainly reflected in multidimensional space, spatialized time, psychological space, art space and the other-worldness. The transgressions in Pale Fire' is reflected not only Nabokov's philosophy, literature, aesthetics outlook, and also they are also a watershed of Nabokov's Fictions from the perspective of time to space.

     

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