刘琴. 影视角色“同人”创作与新媒体传播[J]. 南昌航空大学学报(社会科学版), 2016, 18(1): 68-73. DOI: 10.3969/j.issn.1009-1912.2016.01.010
引用本文: 刘琴. 影视角色“同人”创作与新媒体传播[J]. 南昌航空大学学报(社会科学版), 2016, 18(1): 68-73. DOI: 10.3969/j.issn.1009-1912.2016.01.010
LIU Qin. The Fan Creation for Film and Television Roles and New Media Communication[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2016, 18(1): 68-73. DOI: 10.3969/j.issn.1009-1912.2016.01.010
Citation: LIU Qin. The Fan Creation for Film and Television Roles and New Media Communication[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2016, 18(1): 68-73. DOI: 10.3969/j.issn.1009-1912.2016.01.010

影视角色“同人”创作与新媒体传播

The Fan Creation for Film and Television Roles and New Media Communication

  • 摘要: 影视角色"同人"创作源于大众对角色的改写或重写意识,它们在新媒体管道的多向度建构中被充分激活。影视传播的可控性从而被稀释,而新媒体传播从"受众赋权"到"受众赋能"的演变,也推动了传播主体、管道和过程的话语权力关系的解构与重构。以晋江文学城和土豆网为样本考据点,以部分代表性影视角色"同人"创作的文字文本和影像文本为研究样本,对其在新媒体传播中的粉丝社群化模态的运行逻辑作出了探察。

     

    Abstract: The fan creation for film and television roles originated in the rewrite or rewrite consciousness, they are in the new media in the pipeline to build fully activated. Controllability of film and television transmission to be diluted and new media, from empowerment audience to the evolution of the audience can, also in the process of promoting the dissemination of the main body, pipeline and discourse power relations of deconstruction and reconstruction. Papers in Jinjiang city of literature textual research and potatoes network sample points, in part to representative to the text and image text as the research sample, to make exploration the logic of the social mode of the fans in the new media.

     

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