王湧, 张妍. 入殓有道, 生死有情——日本电影《入殓师》中所透视的日本人的生死观[J]. 南昌航空大学学报(社会科学版), 2012, 14(1): 85-89.
引用本文: 王湧, 张妍. 入殓有道, 生死有情——日本电影《入殓师》中所透视的日本人的生死观[J]. 南昌航空大学学报(社会科学版), 2012, 14(1): 85-89.
WANG Yong, ZHANG Yan. Method in encoffin, emotion in life and death——On the Viewabout Life and Death in the Japanese Movie“Departure”[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2012, 14(1): 85-89.
Citation: WANG Yong, ZHANG Yan. Method in encoffin, emotion in life and death——On the Viewabout Life and Death in the Japanese Movie“Departure”[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2012, 14(1): 85-89.

入殓有道, 生死有情——日本电影《入殓师》中所透视的日本人的生死观

Method in encoffin, emotion in life and death——On the Viewabout Life and Death in the Japanese Movie“Departure”

  • 摘要: 2009年,日本凭借反映其生死观的电影《入殓师》,再次登上奥斯卡领奖台,日本人独特的生死观引起了世人的关注.在立川昭二有关生死观调查的基础上,从文化心理学的视角,从"来世"思想、宗教观、人生观、灵魂观4个方面分析了日本人生死观的历史渊源、发展脉络及其内涵.以冀在丰富人们对日本人生死观理解的同时,唤起人们对生命的珍爱意识.

     

    Abstract: Japan got the Oscars by the movie "Departure" which reflects the life and death in 2009 once again.Japanese's unique conception of death attracted the world's attention.In this paper,based on the research about conception of death of Shoji Tachigawa,from a cultural psychological perspective,in accordance with "afterlife" ideology,religion,life and soul of the concept,makes analysis of the historical origin and the development clue and content of life and death in Japan in order to enrich the understanding of Japanese life and death and arouse awareness of the national treasure of life.

     

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