The Aesthetic Handwriting and the Primitive Trait of Guangchang Meng Drama’s Folk Songs and Popular Tunes

This article, based on fieldwork, citing the theory of opera communication studies, historical data comparison, aesthetics and so on,discusses the remaining and the primitive trait of Guangchang Meng opera's folk songs and popular tunes, focuses on analysis of elements of the folk songs and popular tunes which remained mainly in the dramas of the Ming and Qing Dynasties, makes a textual analysis of the popular tunes such as Zhu Yun Fei, Shan Po Yang, Suo Nan Zhi, Bang Zhuang Tai, Ji Sheng Cao, which were popular after the Wanli Year of the Ming dynasty, and the folk song Fu Qi Guan Deng popularizing in the Qing dynasty and modern time. Comparative analysis of the tunes and music system in the six folk songs and popular tunes causes readers to realize the primitive trait and connotation of folk songs and popular tunes remaining in the Ming and Qing Dynasties.