WU Chang-lin, FENG Na. The Ecological Implication of “The Enchantress” Images In Liaozhaizhiyi[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2016, 18(2): 63-67. DOI: 10.3969/j.issn.1009-1912.2016.02.011
Citation: WU Chang-lin, FENG Na. The Ecological Implication of “The Enchantress” Images In Liaozhaizhiyi[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2016, 18(2): 63-67. DOI: 10.3969/j.issn.1009-1912.2016.02.011

The Ecological Implication of “The Enchantress” Images In Liaozhaizhiyi

  • Discussing Liaozhaizhiyi from the ecology aesthetics,the characteristic and implications of the enchantress images who change come from animals,plants or inanimate objects can be re-understood from three levels,including the natural ecology,the social ecology and the spiritual ecology.Firstly,on the natural ecological implication,the enchantresses regard the wilderness as "home",poetic dwelling in the wilderness and dancing with the wilderness,ultimately arrive harmony between the personand the nature.Secondly,on the social ecological implication,the enchantresses are sincere when getting along with people,they achieve a harmonious and healthy relationship.Lastly,on the spiritual ecological implication, the enchantresses are unaffected by secular,they have many noble qualities,including straightforwardness,purity,uninhibitedness and goodness,they achieve an original sim-plicity on self-nature.The cutural implications of these spectacular "enchantress images" in Liaozhaizhiyi are not only rich but also profound,so the ecology aesthetics just provide a perspective to understand.
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