XIONG Shen-ying, LUO Nan-shi. In the Writing of Diversification:the Survival and Development of Red Songs since 1980s[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2015, 17(4): 101-105. DOI: 10.3969/j.issn.1009-1912.2015.04.016
Citation: XIONG Shen-ying, LUO Nan-shi. In the Writing of Diversification:the Survival and Development of Red Songs since 1980s[J]. JOURNAL OF NANCHANG HANGKONG UNIVERSITY(SOCLAL SCIENCES), 2015, 17(4): 101-105. DOI: 10.3969/j.issn.1009-1912.2015.04.016

In the Writing of Diversification:the Survival and Development of Red Songs since 1980s

  • As a symbol of a special symbolic meaning,Red Songs highlights their tenacious vitality and special cultural significance in inheritance, innovation, reflection and reconstruction by means of written in political beliefs, rewritten in cultural nostalgia and era context since the 1980s. As a carrier of a specific culture, they are not merely to have a writing mode to maintain their specific cultural significance, but also updated constantly under the impact of the change of times. They contain both the question and the rebellious eyes, and also in this way to pursue another cultural meaning. They are bearing the weight of the culture of historical responsibility, and getting distillation constantly in such responsibility. That are the Red Songs' existence and development by means of diversified?writing since the 1980s.
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